I received another rejection letter today. But this one was different. It actually contained feedback!
It’s true. And I was stunned… pleasantly surprised, but stunned.
In my recent daily posts, I’ve been complaining about not receiving feedback in rejections, which is no fault of the agents, it’s just a result of reality. So when I received the rejection today, I was thrilled; not about the rejection, but there were two entire sentences of feedback. And it was constructive feedback. The comment from the agent was directed at a weakness in the query letter and suggested a way to strengthen the pitch. I was able to take the feedback and adjust my query letter accordingly. I think the pitch is now better and hopefully it will actually hook an agent.
I want to thank Talcott Notch Literary Services. I’m sorry they passed on my manuscript, but those two sentences are extremely valuable to me, as a debut author trying to find representation. My story won’t change because of the feedback, but if I can tweak my query letter based on the suggestions of a literary agent, I will, hopefully, be better describing my project to other agents, making it more appealing.
A literary agent just made a good point.
Kristen Nelson, an agent who, coincidentally, rejected my project, wrote a post on her agency website in which she describes her feelings when she sends rejection letters. I found it to be enlightening and I’m glad she posted that article for authors to read.
I have the impression that, like me, most authors are frustrated with the number of rejections received when trying to find representation and believe that agents are cold and heartless, “chuckling maniacally with glee at every rejection [they] send.” But as Ms. Nelson writes, most agents hate to send rejection letters. They actually want to find new projects and want to see authors, whether established or debut, succeed. She makes several good points in her article which remind me that agents have authors’ interests in mind. They are not cold and heartless.
However, there is an element of reality that cannot ease the frustration of authors. If an agent completely had authors’ best interests in mind, they would read each manuscript in full, to find the potential in every novel. The agents would seek out the golden nuggets and assist the author to refine and grow those into a sell-able manuscript. But because agents receive hundreds of queries each month (or each week, or maybe even each day), there just isn’t enough time to devote to every prospective project. The agent is forced to quickly screen queries. And only if something catches the agent’s attention will that agent move past the letter or first ten pages to ask for a partial or full manuscript. That is the reality. The frustration comes into play because the author doesn’t know why he/she was rejected. Was it the query letter? Synopsis? Manuscript? Concept? Why? How can I fix it?
Authors think their manuscript is awesome, a best-seller. Agents want authors to succeed. But the bottom line is this: Most manuscripts (or the associated pitches) aren’t perfect and no agent can devote the time to fully read the manuscript or pitch and respond with constructive feedback in a rejection letter.
So, how can this conundrum be fixed? We can have fewer authors. That would mean less queries received, allowing more time to review and provide feedback. So, all you authors out there need to stop writing. Publishers only need a few ideas for novels. Publishers don’t need a zillion concepts to choose from, right? Wrong. Okay, so we need more agents then, right? Let’s double, triple, quadruple the number of agents. Finding that many qualified agents is easy. And there are so many books traditionally published that there’s plenty of work for a lot more agents, right? Again, wrong.
As much as everyone would like everyone to succeed, it’s not possible. Only a handful of novels, relative to the number of pitched projects, ever get published. It’s a cutthroat business. Agents have to write rejections and authors have to accept them. But neither have to be happy about it.
Okay… I know, I know… I’m bad.
I know I have not been writing daily. I try, but it’s not always possible due to things outside of my control (e.g. travel). Okay, yes, there’s also the whole self-motivation thing that sometimes results in a day of no posts.
I realize that once I get started, it’s easy to write. And writing is the purpose of the exercise. The more often an author writes, the better he or she gets. “So,” you ask, “why don’t you just sit down and write something?” Well, I tell you, it’s not that easy to find topics every day.
Yes, I could write about politics every day, but that gets old fast. And I’m not that into politics. The current presidential race offends and infuriates me ten times more than it excites and encourages me. I can try to bring about change by motivating young people to vote–they’re the only ones that can truly bring about a change, but beyond that I’m simply shouting into the wind.
I could write about random stuff that no one would be interested in, but then no one would want to read what I write.
I could write about writing, about being an author, but I’m not an official author yet. I’m just a hack who thinks he has a good story. And, to date, no one wants to read it. So maybe I will write about writing when I’m actually a recognized writer. Until then, I’m just complaining when I write about writing.
So… What else should I write about?
I think I have a higher probability of winning money in Las Vegas.
So far I have a 0% success rate (0 out of 19) for my agent queries. I know that the odds in Vegas aren’t very high, but they have to higher than 0%. And yes, all it takes is one successful agent query, but it gets very frustrating. Gamblers would stop gambling of they won less than 5% of the time.
Why am I so unsuccessful?
Is it my writing? I don’t think so. My novel is first-person narrated in a voice that is authentic. My story is semi-autobiographical, so I’m speaking from my own experiences. And I was a teen once, and I have a teen now. I know how I spoke and reacted, and things aren’t much different today, so I got the dialogue down. I’d like to think I grasp the concept of the comma and semi-colon, so I don’t think I’m writing gibberish.
Is it the story? No. I’ll admit, my story is a little complex–not simply a boy-meets-girl, or teen goes over the deep end and does something crazy that freaks out her friends–but it falls together and seamlessly flows from conflict to resolution. It’s factual, contemporary, and believable. It’s been critique-reviewed twice and edited based on these reviews. It was once 500 pages, but has been trimmed down to something like 360, so I’ve slashed and burned and edited and tightened.
Is it my query letter? This is where I get most frustrated. Why? Because there is so much subjectivity in the querying process and so little feedback that it’s hard to tell if a pitch letter is ideal for the target agent. The same letter may pique one agent’s interest while turning another off. Or it could not be right for either. I only have a handful of queries out at a time. When I send another (after a rejection or two), I usually tweak the letter and the synopsis, hoping the small change will be the few words that the agent wants to read. But since there is NO constructive feedback in a rejection, the author has no idea why the agent passed. Yes, I can pay to have my query letters critiqued, and I have–so I know it’s pretty good, but every agent is different. There is no one single query that will hook every agent.
So that leaves the cumulative pitch: the writing, the story, and the query. There are at least three variables that have to spark interest for an agent within the few minutes they sit down and read the query, synopsis and sample pages. And every agent is different. Not every agent is going to be inspired by a pitch, even if there are no typos, the synopsis is succinct, and the writing is tight. The concept just may not be right for most agents.
I have control over the variables that go into a query and can understand why there’s a query success rate of less than 5%–which is probably high even for accepted authors/novels–but the lack of feedback from agents doesn’t help me know which of the variables to adjust after each rejection. That is what is most frustrating.
Oh well, I’ll keep querying until either (a) I get so fed up that I lose interest or (b) I run out of agents to query.
Exit poll (per MSNBC): 66% of republicans in New Hampshire want to ban all Muslims.
That got me thinking: (1) 66% of republicans in NH are xenophobic. (This probably reflects the view of 66% of republicans in the US.) and (2) 66% of republicans in NH have no idea what they are talking about. (Nor do most anti-Muslim xenophobes.) Republicans are afraid of Muslims immigrating from the Middle East.
I looked at global data from the Pew Research Center–“A nonpartisan fact tank that informs the public about the issues, attitudes and trends shaping America and the world. We conduct public opinion polling, demographic research, content analysis and other data-driven social science research. We do not take policy positions.” The following are their numbers from 2010:
- Total Muslims in the world: 1,600,000,000 (that’s 1.6 BILLION)
- Total Muslims from the Middle East and North Africa (where republicans think all Muslims come from): 317,000,000 (that’s 317 million)
- Total Muslims from Asia-Pacific: 986,000,000 (that’s 986 million, more than three times more Muslims in Asia)
- Countries with most Muslims: Indonesia, India, Pakistan, Bangladesh (687,000,000 combined, more than twice as many in these four countries compared to the Middle East and North Africa combined)
So, are Americans fearful of immigrants from Indonesia? No. From India? No. So, should ALL Muslims be banned from immigrating to the U.S.? No, because there are way more non-radical Muslims from countries outside of the Middle East than from countries within the Middle East. Banning everyone who claims to be (or is suspected of being) a Muslim is not the solution. It’s a knee-jerk, xenophobic reaction to an issue that requires more thoughtful, diplomatic solutions.
I waited to post this until the day after.
I thought that I might be over-reacting. I thought I might be too judgmental. But after seeing the media response today, I know that I’m not. Cam Newton behaved like a baby. Regardless of his reason, there is no excuse for the NFL’s MVP–just crowned the day before–to behave like a child by walking out of a press conference. You are a professional football player, Cam. You’re the starting quarterback in the Super Bowl. Regardless of the outcome, you stay and articulately answer the questions that the press asks you. Period.
A young man I know doesn’t like Cam Newton. He never has liked him. He thinks that Cam is overrated and egotistical. Even though I’ve never really supported nor followed Cam, I thought this young adult was being too judgmental. Nope, he wasn’t.
Coincidentally, this young man doesn’t like Hillary. He thinks she’s deceitful and completely not trustworthy. … I should pause here and describe his reactions to both Hillary and Cam. He tenses and raises his voice in disgust when thinking about these two. Actually, he reacts the same when he thinks of or sees anyone he doesn’t trust. To him, Cam has only room in his head for Cam, and Hillary will say anything to advance Hillary. I cannot argue with him.
As I ponder that young man’s reaction to people he doesn’t trust, I wonder how many other young adults already have their BS-meters fine-tuned to detect when a person is full of s%^t. Most high school students and even some college students don’t have their detectors tuned or even powered on in some cases. But given that a large number of young Americans also don’t like Hillary, I’m encouraged to see that there are more youth than not out there who can smell deceit when it’s pushed their way.
The data set on which I’m basing my conclusions is, admittedly, very limited. But the data do support my hypothesis. I will continue to search for additional corroborating evidence, but for now I’m (tentatively) pleased in the future prospects for the country. Our youth is primed to lead it’s elders in the correct direction. (I hope.)
Did you know there is an entire website dedicated to the fear of the number 13?
I was going to do some research on triskaidekaphobia, but there is an entire site, triskaidekaphobia.org, that will tell you all you want to know.
Do people really think that if there is a row 13 on a plane and they sit in it the plane will crash? And if your office or hotel room is on the 13th floor that it will… I don’t know, disappear? Burst into flames? Vanish? Result in perpetual, un-ending, infinite bad luck every day of the year?
What is it with triskaidekaphobia? Are the origins really found in the bible? Twelve disciples (or, rather, 13 = Judas)? Or is it…?
I also found paraskevidekatriaphobia. Kind of cool, right? Today is Friday and this is Day 13 of my writing posts.
I also found tetraphobia which is obvious and even more stupid than the fear of the number 13. What is so intimidating about the number four? Is 4 that fear-inducing?
I understand that there are legitimate things that can rationally cause fear. Standing on a rooftop, a very tall bridge, or the edge of a cliff all seem like obvious situations to arouse fear. Also, a tarantula crawling in the hair or being swarmed by locusts might freak a person out. And being diagnosed with cancer will generally make a patient afraid to die.
So what is it about a number that strikes fear into the heart of some people? What is it about the combination of that number and the last weekday? And why would the number 4 cause people to stroke out? Why would a number trigger a reaction?
I don’t get it. Of course, I’m not irrational. (At least not about numbers.)